Why Vine and Other Short-Form Video is Important

Redvines Punning with Vine - a New Form of Ad?
Redvines Punning with Vine – a New Form of Ad?

Video is not just for Cats

When Twitter announced the Vine product that allows you to share 6 second videos with friends, you may have thought as I did that the whole genre of app development was getting a little too specific. “Why would anyone want to share a short video with friends?” was admittedly my first thought, and oh was I wrong. In the last week I have seen some amazing content on Vine that included: a stop-action movie of a “magic 6 ball,” a visual postcard from India, and some other very clever uses of video that caught my attention, made me think about short video as an art form, and challenged me to reassess my original ideas about Vine.

Why does Video Matter?

Short-form video is important because

  • The sound and movement gets your attention
  • It doesn’t take long to download
  • It can be personal, broadcast, or just something entirely new (a serial told in 6 second chapters?)

The first reason short-form video is vitally important (especially in this format) is that Vine was designed from the beginning to be social and mobile. Video is inherently interruptive in nature — both in the combined use of audio and video that commands your view — and the visual dopamine hit you can get from seeing something novel and interesting (and no, not talking about Vine’s porn problem here, as I think that will fade in view over time) is fulfilled very very quickly by Vine. The fact that you can fill a few seconds of your time with interesting content is a great sign for Vine.

We Communicate Visually

Short-form video is also important because it’s an evolution in the way that we communicate with each other (both on a one to one and on a multicast basis.) Because Vine is owned by Twitter, it’s reasonable to assume that the Vine features will percolate into Twitter over time, and the idea of making both a video for an individual person or for an audience will develop. My first impressions of this medium are that it’s compelling because it’s novel and also because it’s not too much work to discover some amazing, creative work.

Where will short-form video go from here? We’re in the early days, and short-term video seems well suited to survive (and thrive) as a third screen. If the tablet is the de facto second screen to the computer or Television, then the mobile-only video will have a place as well. I’m looking forward to seeing visual content that moves back and forth across these different visual modalities like a gigantic visual treasure hunt. And Vine would be a great way (if you could geofence it) to provide visual clues to a scavenger that only pop up when you’re within 50 meters of the target. The possibilities are intriguing, particularly for brands that want customers to engage via mobile.

What’s Next for Short-form Video?

Short-form video is here to stay, and Vine is an interesting first step in moving the animated gif into the mobile age. Because of the distribution that already exists in the Twitter ecosystem, I’m certain that Sponsored Vines are only a few clicks away – and by the way Twitter, if you can target these ads to me based on the people or brands with which I follow and engage, that will make those Vines more interesting to watch. You can find me on Vine – I’d love to see what you’re doing there – and in the absence of profile pages, watch this 6 second video of my dog

gregmeyer
gregmeyer
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